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  • Besides fries, Yang
    pitching classical music
     
    By Dennis Estopace
    Reporter

    WOULD the economy now be measured on the aria sang by McDonald’s Philippine chief? With the Golden Arches Development Corp. chief executive launching his first commercial album of his own rendition of Neapolitan songs, that may be possible.

    How much George Yang sings could replace the price of a McDonald’s burger—like what Economist magazine does every year—as yardstick of the peso’s strength.

    The Economist has said its Big Mac index “is based on the theory of purchasing-power parity (PPP), according to which exchange rates should adjust to equalize the price of a basket of goods and services around the world.” Their basket is a McDonald’s Big Mac.

    But Yang told reporters at Wednesday’s launch, what was in his mind when he began recording for the album of 11 songs titled Always Yang was another matter.

    “All the proceeds from the sale of the album would go to the new foundation we put up to support students of classical music,” Yang said before singing one of his three favorites pieces: Furtiva Lagrima from Gaetano Donizetti’s opera L’elisir d’ Amore (Elixir of Love).

    He says it took him two to three months to record all the songs in a compact disc to be sold under the Universal Records label for P280 each.

    He says he has plopped P2 million for the Klassikal Music Foundation to jump-start its operations. Half of the CD sale would go to payment of royalties, orchestra and other administrative expenses.

    “I just want to help propagate the love for classical music,” he says on why he embarked on such project.

    Opened 26 years ago, the American fast-food restaurant chain continues to wrestle with rivals to either maintain or expand further its market share. Despite its worldwide market share, it had tasted its first defeat in the hands of a local burger chain right here in the Philippines, Yang’s company Golden Arches became its Philippine master franchise holder just three years ago, after the Americans saw their market share edged out by rivals who offered the same product, the burger, at competitive prices.

    Two decades ago, the Economist editor just wanted to explain in a lighter way how exchange rates work using the Big Mac.

    In its February 2007 edition, the Economist cited the Philippine version of that sandwich is 46-percent “undervalued” against the dollar, or cheaper as when you buy it in Bangkok.

    But that time the actual exchange rate was pegged by the magazine at P48.9 to a greenback. In Wednesday’s mid-day trade, the peso gained further to 42.75, its strongest level in seven years.

    After Yang’s album launch, the burger—two beef patties, lettuce, tomato, onions, pickles and relish, drinks and fries—remained at P99 ($2.30), which is P14 higher than the P85 the Economist recorded in January.

    Of course that time, Yang was still basking in his newfound popularity as a tenor, having just finished a solo concert for the Ronald McDonald House Charities and with celebrity endorsers and opera singers in Adeste Fidelis musical play.

    Under his feather are two noncommercial albums titled “Yang at Heart” and “Forever Yang.”

    But would the sale of his albums reflect the performance of McDonald’s positively? Yang failed to reply since he was already being requested by an audience of friends to sing more.

    That, hence, could be the Yang Index: the level of Filipino appreciation for classical music and, maybe, a Happy Meal.

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    Besides fries, Yang pitching classical music