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    Distinctly Filipino

     

    A reader who, surprisingly, is not a relative of mine, had kind and encouraging words about “Aesthetic” printed here a few Thursdays ago. 

    Charis Raya of Pitik Bulag Inc., a design-management company, wrote that a design patent “makes it easier for Filipino designers to protect their intellectual property.” She believes that with the protection afforded by design patents, “our designers would be more motivated to not only excel in the present application and schools of design but to, in fact, innovate. We’ve got so much creative potential…it would be wonderful if our local creative industry would make headway into making innovations and collectively create a mark distinctly Filipino in the world of design.”

    Finding that “distinctiveness” is a challenge hurled at every country by the forces of globalization. In a world where goods cross borders with relative ease, creating uniformity in consumer tastes and lifestyles, how can one create a product that stands out in the market? If, indeed, “the world is flat,” how can one cause a hump to be noticed? After all, to compete one must stand out, be noticed, attract.

    How to be “distinctive” is a challenge not just in the world of design, but of art, literature, technology, business and almost all areas of socio-economic life.  The writer as well as the entrepreneur must find that distinctive voice or characteristic that distinguishes his book or his product from the rest in the field. In the global marketplace, shouldn’t a country be doing the same?

    Some countries do promote themselves by showing their distinctive natural attractions as well as unique products to lure tourists to their shores. “Philippines…beyond the usual,” “Malaysia, Truly Asia,” “Incredible India” and “Seoul in Design, Design in Seoul,” are familiar branding ads for those who watch international and travel programs.

    A mark “distinctly Filipino,” I think, has been developing in the world of design as well as other fields. In fashion, designers have played around with the terno and barong, mixing tradition with modern lines. They’ve also mixed indigenous weaves and colors to produce alluring clothing. In the furniture industry also, a number of Filipino designers have made a name for themselves internationally for combining modern designs with indigenous materials.

    Another area is in music, where the Original Pilipino Music (OPM) movement has made tremendous headway since the 1960s, fusing Filipino themes and indigenous sounds with modern instruments.

    So there is that “distinctly Filipino” flair in many of our innovations. But Ms. Raya also offered another insight: “At this level of global competition, creative talent alone is not enough to prosper.  There is a need to be savvy in the ways to protect and leverage our talents so that they can bring our creative industry to a level of maturity that opens global opportunities not only for the industry, but national growth, as well.”

    I think she hits the nail on the head. Our present state or condition is “not in the stars.” A “distinctly Filipino” Jose Rizal showed us through his writings and with his life that we are equal to other races in intelligence, creativity, talent and character. We just have to get our act together.

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