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    Seattle Opera-based tenor(left) Gary del Rosario lends star power to the Philippine Opera Company’s production of La Bohème. International conductor(right) Helen Quach leads the Philippine Philharmonic Orchestra in POC ’s La Bohème.

     
    By Joseph O. Cortes
     

    A POOL of young Filipino opera singers brings to life Puccini’s classic La Bohème in a coproduction by the Cultural Center of the Philippines and the Philippine Opera Company, to be presented at the CCP Main Theater (Tanghalang Nicanor Abelardo) on October 3 and 4, 8 pm, and October 5, 3 pm.

    POC artistic and managing director Karla Gutierrez says their audition for roles in the opera yielded a goldmine of many unknown student talents.

    “We were surprised at the number of people who came to our auditions,” says Gutierrez. “It only shows that we are blessed with a pool of young talented artists. This production will showcase real Filipino talents. We are giving Filipino classical artists an opportunity to show off their talent.”

    Heading the cast are tenors Juan Alberto Gaerlan, Dondi Ong and Seattle Opera-based Gary del Rosario alternating in the role of Rodolfo; sopranos Jennifer Uy and Maribel Miguel as Mimi; Ana Feleo and Elaine Lee as Musetta; baritones Lawrence Jatayna and Nonon Baang as Marcello; and Joseleo Logdat and John Campos as Colline and Schaunard, respectively. Leading the Philippine Philharmonic Orchestra in this production is international conductor Helen Quach. The opera will be presented in the Italian original.

    For this version of La Bohème, the production moves the setting of the opera from 19th-century Paris to present-day Malate amid the local indie art scene. Noted stage and TV director Floy Quintos says there are a number of similarities between the characters as Puccini conceived them then and in transporting the story to 21st-century Manila.

    “All these characters are in make-or-break situations,” Quintos says. “They fall in love, break up, and are changed by the experience.”

    La Bohème is one of the most popular operas worldwide. The legendary British conductor Sir Thomas Beecham, who led one of the definitive recordings of the work, described it as “one of the most perfect operas....There isn’t a note too much or a bar too much. Each act is marvelously constructed, and the length of each is ideal.” The opera served as the basis of the 1996 Pulitzer- and Tony-winning musical Rent.

    The late National Artist Rolando Tinio staged the last major production of La Bohème in 1992. Tinio’s production moved the story to the then present-day University Belt area, where Rodolfo and Mimi meet in a boarding house.

    Apart from Quach and Quintos, other members of the production team include Monino Duque as lighting designer; Jo Tecson as set designer; Sabella Fashion as costume designer and provider; and Furball as video designer.

    With this production, the POC starts a regular season of opera productions in the country. Aside from La Bohème, it is also presenting a version for children of Mozart’s The Magic Flute, which has performances at the CCP Little Theater (Tanghalang Nicanor Abelardo) until September 27, and Terence McNally’s Master Class, the Tony-winning play on Maria Callas, starring Cherie Gil, at the Carlos P. Romulo Theater, RCBC Plaza from October 9 to 12, 17 to 19 and 23 to 25 at 8 pm.

    La Bohème is supported in part by the Yuchengco Group of Companies, Sabella, Make Up Forever, Actors Studio, McDonald’s, Amici, 92.3 XFM and Power Mac Center.

    For tickets, block sales, sponsorship and other information, call the Philippine Opera Company at 892-8786, or visit www.philippineoperacompany.com. Tickets are also available at all TicketWorld outlets at 891-9999. n

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