|

THE recently concluded Theatre Olympics, hosted by the Unesco, was
all about the theater arts and its power to heal divisions. Photo
by Rhoy Cobilla |
‘Theater Olympics’
All eyes were on the Philippines this week, as it held for the
first time the Theatre Olympics of the Nations, a component of
the 31st United Nations Educational, Scientific and Cultural Organization-International
Theatre Institute (Unesco-ITI) World Congress. The event was highlighted
by close to 30 different performances by well-known local and
international theater groups from Asia, Africa, the Arab states,
Latin America and the Caribbean, North America and Europe.
An opening show, entitled
Mabuhay: World’s Arts, One Heart, welcomed the delegates
last Tuesday at the Cultural Center of the Philippines. Directed
by Frank Rivera, it featured excerpts of the plays that were shown
throughout the just-concluded Theatre Olympics.
Despite its Olympics
title, the event was by no means a competition; instead it offered
a veritable showcase that introduced the theater groups themselves,
reflecting a common objective of utilizing the arts to make the
world a better place—as expressed in this year’s Unesco-ITI
World Congress theme: “Ancestral Roots to New Artistic Routes
of Expression: Mobilizing Cultural Diversity to Achieve the UN
Development Goals.”
Koïchiro Matsuura,
director general of Unesco, personally joined the participants
to emphasize the significance of theater in the overall work of
education through various forms of media and cultural forms. This
theme resonated in his speech at the event: “Theater is
a powerful means of expressing cultural diversity. It can help
view the sense of great cultural understanding.”
He also said that “in
the spirit of Unesco’s work regarding the protection and
promotion of cultural diversity, which underscores the equal dignity
of and respect for all cultures, I believe that theater can play
a useful role in the accomplishment of the Millennium Development
Goals, especially the goal of eradicating extreme poverty.”
A tall order, indeed,
for an art form that is often taken for granted. Perhaps it should
be remembered then that people are nourished not by bread alone;
equally important is the food that nurtures the mind and the spirit.
With a report from M. Madolid
|
| |
|
|