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    PRETTY MAIDENS ALL IN A ROW. Pond’s Magandang Filipina and Ben Farrales Indigenous Design awardee Paola Salivia (in Obet Orajay), Pond’s Magandang Filipina and Reina de las Flores Melanie Adjarani (in Danilo Franco), Rosa Mystica Wethel Herrera (in Buddy Reyes) and La Flor de Manila Mabeth Costales (in Steve de Leon)

     
    By C. Mendez Legaspi 
    Photographed by Teddy Pelaez
     

    SENIOR designers were stunned when they learned too late that they were also in competition for top awards at the 29th annual Flores de Mayo, organized by the Congregacion del Santisimo Nombre del Niño Jesus and sponsored by Unilever Philippines’ Pond’s. Before that announcement, onstage no less at the Rajah Sulaiman Park in Malate, they happily thought that their participation would just be to support the members of the Quezon Fashion Designers Association of the Philippines.

    They came “unprepared,” most of them lamented. But from the fantastic, intricate looks of their creations, you’d think that they were playing coy and just being humble. Past multiple-winner Francis Calaquian, master of the stupendous beadwork, admitted that his elegant black-and-white terno worn by the beautiful Lotus van Heddegen was previously displayed at the National Museum as part of the tribute to National Artist Ramon Valera.

    Rholand Roxas, Lucena’s most famous designer and one of the outstanding members of the Fashion Designers Association of the Philippines, created a striking terno of organdy cut to pieces to make pleats with cutwork with red beads underlined with yellow. A metal cape at the front covered with multicolored Swarovskis matched the necklace and the earrings of model Kathy Moya.

    In a grand throwback to prewar sagala, Antonio Jan Garcia dressed scions of prominent families. Franky Cojuangco Rivilla was in a “forward take on the baro’t saya, a study in softness and waves. It was silk and wool barathea petal origami panuela and sleeves with lagatolla tulle train with beaded detail on the bodice and a draped tapis. The consort had a “Don Pepe” look. I wanted to get a contrasting effect on how traditional costumes play on today’s very hip generation,” said Garcia.

    The theme for the sagala was “Moda Pinoy: Romance in the Park,” and Edgar San Diego took it to heart. “My collection was inspired by the ultimate romance between a flower and a butterfly. Eliza Rancesca Lim, in duchesse satin, silk cocoon and lame, was a bouquet of flowers in a doily wrap made of cutout rubber bound with a huge pink ribbon. Victor Aliwalas wore a vest over his barong that connects to a pair of butterfly wings.”

    Steve de Leon, winner of the title La Flor de Manila for his creation worn by Mabeth Costales, described his design as a “traditional terno in batik dye painting on piña silk highlighted with gold thread and beads. Elizar Taplac was in a sinuksok bahay kubo design in piña silk tambien.”

    Danilo Franco, a teacher at La Salle College International who won the title Reina de las Flores for his student Melanie Adjarani (also a cowinner of Pond’s Magandang Filipina), was inspired by the La Virgen de los Remedios. The serpentine terno was in ombre satin in teal blue chocolate and antique gold lace. Bias-cut ribbons hug the hips and weaves through the satin and sequined panels.

     “It’s a beautiful feeling that you did it just for fun, without trying too hard,” the designer said of his surprise win. “It came true what we joked about, that Melanie would come up onstage wearing flip-flops.” The lovely sagala and their escorts had to endure walking in high heels and holding back their pee, all to put on an entertaining show for the hundreds who lined up to witness this spectacle.

    Obet Orajay, winner of the special Ben Farrales award for using indigenous materials, ingenuously crafted bamboo strips arranged diagonally, to make his astonishing terno with gugo cutwork for Paola Salivia, was also declared Pond’s Magandang Filipina.

    This year’s grand winner was Buddy Reyes, whose terno worn by Wethel Herrera was a “perpetual white gown in princess-cut finish embellished with red capiz modified by gold beads and red rhinestones.” The terno sleeves and ruffled collar completed the feminine design and was accorded the Rosa Mystica title. Lee Vilela, her escort, was in a jusi barong Tagalog accentuated with a combination of painting and embroidery in gold and red.

    The judges for the competition included fashion designers Boysie Villavicencio, Criselda Lontok, Christian Espiritu and Oskar Peralta; political wives Aleta Suarez of Quezon City, Nancy Portes of Quezon province, and Louie Locsin of Makati City; Unilever’s Chito Macapagal; Tourism Undersecretary Eduardo Jarque; floral artist Junjun Bengzon; and Philippine National Bank’s Angel Doble. Legendary designer Aureo Alonzo was the guest of honor.

    It was a good thing the weather cooperated in what is considered the longest fashion show of the year, traversing Roxas Boulevard from Rajah Sulaiman Park to Puerto Real Gardens in Intramuros. This year the Congregacion partnered with the DOT, Intramuros Administration, City of Manila and Unilever Philippines.

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