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    “SARTORIA”(from left to right)Linea Milano two-button, fully lined two-piece suit in black., UPPER Casual reversible short-jacket blouson., ALESSANDRO RANIOLO., ERMENEGILDO ZEGNA Upper Casual UPPER Casual reversible short-jacket blouson ALESSANDRO RANIOLO “Elements” coat., “SARTOTIA” Linea Milano two-button, fully lined two-piece suit in navy blue.

     
    By C. Mendez Legaspi
     

    BEFORE it celebrates its centennial in 2010, Italian menswear giant Ermenegildo Zegna has set its sharp sights on maintaining an average annual-revenue increase of at least 10 percent, hoping to reach €1 billion in sales in the process. How the Philippines as one of its emerging markets will figure in this goal remains a confounding and beautiful question.

    Last year, when the company appointed Gildo Zegna as sole CEO, with his cousin Paolo as chairman, it had been undergoing internal restructuring with a threefold purpose, according to the trade paper Defining Men’s Fashion: “To better respond to industry demands, to increase the speed in which it gets merchandise to market, and to make sure that each merchandise is right for each market.”

    Apparently, the luxury label that has dressed Matt LeBlanc, Matthew Perry and David Schwimmer is confident that the sophisticated Filipino male is worth catering to, and that the Philippine market needs the company’s attention, too.

    “There is lots of expansion in Asia,” says the impeccably suited Alessandro Raniolo. (“Trofeo silk fabric from last season,” he offers with a smile.) Though market share is 37 percent in Europe and the Middle East, 31 percent in Australasia and 29 percent in North America, merchandise is evenly distributed among the regions.

    In its “Great Minds Think Alike” spring ad campaign, gray is the dominant color of the collections, but “there are splashes of color every season. We have a strong direction, a total look for each season with a certain amount of flexibility. We have fabric for the tropical climate for the short sleeves and linen shirts,” Raniolo reveals at the brand’s store in Rustan’s Makati, opened by its local partner Store Specialists Inc.

    The newly refurbished and expanded 88-sq-m, Studio Beretta-designed store carries the Ermenegildo Zegna Couture line (“refined elegance befitting a wardrobe of extreme luxury”), the Upper Casual collection (leisure and casual wardrobe), Zegna Sport and Z Zegna, a younger label designed by Alessandro Sartori. Under each are ties (P9,500), linen shirts (P12,000), suits (P138,000), shoes (P25,000 to P33,000) and belts (P11,000 to P15,000). There are also small leathergoods, bags and fragrances.

    “Zegna continues to be innovative, constantly changing and evolving,” Raniolo says, as he excitedly shows an “Elements” wool jacket (P132,000), “the first intelligent garment that autonomously adapts to regulate body temperature in all weather conditions. He cites it as an outdoor clothing that can be worn in warm, as well as cool areas. It is also water-resistant and can be used as a raincoat.

    The charming Raniolo stresses that Zegna is a brand that is classic, Italian and masculine, using exclusive fabric that it develops especially. “I cannot use the word ‘trendy’ to describe it. I cannot even say that Z Zegna is trendy. It’s a fashion brand. Trendy is inappropriate. We don’t aspire to be trendy. We want to be ahead, like what Z Zegna is doing.”

    Like Fendi, Versace and Ferragamo, Zegna was built on strong family values that are inherent in Italians. Founded by Ermenegildo in 1910 as a wool mill in the little town of Trivero in the Biella Alps outside Milan, the company decided to make made-to-measure clothes in the mid-’60s when his sons Aldo and Angelo took over. (Gildo is Angelo’s son, while Paolo is Aldo’s.)

    Will this “devotion to style and aesthetic harmony” only benefit—unfairly—the male of the specie? “I will have to ask our CEO,” Raniolo quips, letting out a laugh. “In my view, menswear is what we know best. We stick to it, rather than expand.”

    In an interview with the Financial Times a few years back, Gildo Zegna explains why the company resists the temptation to open a women’s line. He said that menswear is less competitive and the joy in the men’s market is that it is constant: “[Men] are very loyal. Women like to shop around more.”

    What I resisted asking was if the Zegna tie that Monica Lewinsky gave to then-President Clinton as a gift is still being offered at the stores, and if so, is it a bestseller? Instead, Raniolo brandished the Montenapoleone 27 tie as supposedly the iconic tie of the season. “Many people don’t wear ties anymore. This is a great tie to wear to make a difference,” says the College D’Europe (Belgium) and US Luther College-educated luxury-goods expert.

    And celebrity addict that I am, I managed to squeeze in a question: Why was Adrien Brody retired as Zegna’s image model? “Our ad campaign came before he won the Oscar [as Best Actor in Roman Polanski’s The Pianist”. It hit at the same time as the Oscars. It gave the brand recall and more people began to take notice of it,” Raniolo shares. “But it is not a core strategy of the brand to use a celebrity. We use models who best typify the core values of the brand, to focus on the quality and heritage of the product.”

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