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AND we
don’t mean April Boy Regino, who is now a US-based
entertainer. Believe it or not, the original Philippine
Idol (he used the word “idol” as an expression and
incorporated it in all 12 albums) is touring the US,
from Guam to Hawaii to Chicago, any place where there
are kababayan. We are reminded of April Boy
because in one of those encounters with him when his
career was at its peak, he made mention of Eric
Clapton’s “Wonderful Tonight” as a major influence.
However
bizarre it may sound, “Wonderful Tonight” may be
considered the unwitting great-grandfather of “’Di Ko
Kayang Tanggapin” and “Ye Ye Vonnel.”
And
April Boy, like millions of Clapton’s fans, surely
availed himself of Complete Clapton, the double-disc,
36-track album released under Universal Music late last
year, accompanying an autobiographical book.

Ironically nicknamed “Slowhand” by his former bandmates
and the British press, Clapton is considered one of the
world’s greatest guitarists and songwriters of all time
by music critics. He proved to be an open-minded artist,
having collaborated with musicians of various
discipline, from the masters like B.B. King, John
Lennon, George Harrison and Bob Dylan, to someone like
Babyface.
Complete
Clapton is a trip down memory lane, or what British rock
journalist-author Nigel Williamson described as the
soundtrack of Clapton’s journeys.
The
first CD contains Clapton’s Cream days hits like “I Feel
Fine,” “Sunshine of Your Love” and “White Room.”
Characterized by psychedelic guitar solos, which were as
essential as the lyrics, one can feel the young
Clapton’s verve experimentation. There’s also “Badge,”
the opus he did with then-Beatles’ axman George
Harrison.
For
trivia addicts, Harrison and Clapton were both
romantically involved with model Pattie Boyd. For whom
many labeled as muse to rock gods, Clapton wrote
“Wonderful Tonight,” “Layla” and “Bell-Bottom Blues,”
while Harrison wrote “Something.”
Also
included in the album are Clapton’s versions of Bob
Dylan’s “Knockin’ On Heaven’s Door” and Bob Marley’s “I
Shot the Sheriff,” both certified hits that videoke
singers nowadays love to mangle into surreal “My Way”
level.
“I Shot
the Sheriff” was Clapton’s first hit, eventually
popularizing reggae all over the world. And, of course,
there’s “Wonderful Tonight” and every drug junkies’
favorite “Cocaine,” which is actually Clapton’s version
of an original composition by master guitarist J.J. Cale.
Clapton and Cale collaborated on the country
music-inspired “Ride the River.”
Disc
Two contains later hits like “Tears in Heaven,” “Layla
(Unplugged)” and “Change the World,” three songs that
videoke guerrillas also love to massacre beyond
recognition. His collaboration with B.B. King, titled
“Riding With the King,” is lined up next to the
radio-friendly “My Father’s Eyes.”
This
year Clapton will tour
US
cities starting on May 3, after which he’ll perform in
Toronto,
Montreal, Ireland, the UK, Norway, Iceland and Denmark.
It was also reported in various media outlets that he
has been invited to perform in North Korea, upon the
request of his No. 1 fan: King Jong Chol, the son of the
infamous national leader Kim Jong II. Reportedly,
Clapton has agreed and scheduled a trip in early 2009.
Here’s
hoping that Rep. Mikey Arroyo, the son of our President
and best buddy to April Boy Regino, could make the same
request. It can be recalled the Clapton already
performed here in 1978 with Pinoy Rock Queen Sampaguita
as front act.
Above
all, Complete Clapton is a musical diary of an orphan
who never met his real father, survived heroin
addiction, alcoholism, a string of failed relationships
and the untimely death of his four-year-old son.
In our
Gucci Gang-infested biosphere this summer on the beach
or up in the mountains, Complete Clapton is surely a
better companion than, ugh, cocaine and the like.
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