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    No download necessary. A Web-based application, Adobe’s Photoshop Express reveals the hand of a company that’s been doing this imaging stuff longer than anyone else.

    By Lou Dolinar
    Newsday
     

    With Adobe’s release of its new Photoshop Express comes an obvious question: Does the world really need another free photo editor?

    There are many excellent programs out there already. For slick and easy, try Google’s Picasa. For speed, Irfanview. Broad functionality? The open source GIMP. Such programs, which you download to your PC, cost you nothing (though they are expensive and/or time-consuming for their authors to develop and maintain). It is tempting to joke that maybe Adobe expects to make up its costs on volume.

    However, Express is a different kind of program, one worth checking out even if you don’t plan to use it. After all, Express is a Web-based application—no downloads required. All the tough stuff is on Adobe’s computers; yours is just a window into what is going on elsewhere.

    Adobe says it is trying to attract first-time users, who presumably will then go on to buy its pricier Photoshop Elements, Lightroom and Photoshop itself. Adobe also appears to be aiming for an eventual piece of the online photo sharing and printing business.

    While it is nice to be able to store photos online, it is even better to be able to touch up, e-mail, Web-ify and print them from any computer. Potentially, that brings sophisticated photo retouching down to the level of palmtops and smart phones. It also eliminates dependence on the Windows operating system.

    Photoshop Express isn’t there yet, but in its beta version (available at photoshop.com/express) you can already see the hand of a company that’s been doing this stuff longer than anyone else. It has all the basic tools: cropping, sharpening, color adjustment and various filters to, for example, convert to black and white. When you upload a photo to Adobe’s servers, you get thumbnail previews that show how your picture will look when you apply various tools. That makes the process remarkably speedy, even with large photos, and suggests Adobe could incorporate even more features.

    The program has one trick that could make a regular user out of me: a white-balance adjustment for standard jpegs that’s akin to the RAW editing function in Adobe’s for-fee programs.

    White balance is a perennial problem for automated photo retouching. Put simply, colors have to be adapted to the type of light illuminating the scene. Full sun has a different color balance than shade or cloudy conditions. Fluorescent light is different from incandescent. Most point-and-shoot cameras try to adjust for this automatically, and some let you select the specific type of light from a menu. Invariably, the auto-balance makes a mistake, or you forget to reset indoor lighting to outdoor. The result is ugly.

    Most editing programs have fully automatic systems for correcting color, and typically have manual controls, too, including sliders to adjust temperature and tint. But these don’t produce ideal results, particularly if the scene lighting was problematic in the first place.

    Express provides multiple thumbnail variants of a photo. At that point, you pick which one is the most natural-looking. If you haven’t tweaked white balance on your photos, this is worth a shot.

    Problems? There are many. It is, after all, beta software. It can’t handle RAW files, a trick that Picasa manages with ease. While it lets you upload directly to some online services, including Facebook and Photobucket, it doesn’t support other popular ones, including Flickr. You get only 2 gigabytes of online storage free. And for now you can forget about pixel-by-pixel retouching or the layers that are found in its big brothers.

    And then there’s the competition. Although I don’t like its user interface as much, Picnik, another online retoucher, has been winning rave reviews from users of Flickr, its sponsor. Others worth a look are PhotFlexer and LunaPic. They’re all reasonable alternatives for those times when you can’t get a “real” editing program.

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